Sunday, April 25, 2010
Wednesday, April 21, 2010
Saturday, April 10, 2010
On Doors (2): The Diary of a Chambermaid
The closed door marks a boundary - the forbidden territory of desire.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWqIZ-D3qR_vwOCprOG-o_mBW_5-IoKXcqtUmyxAM9YmGNlV6Xzg-z5rM-XdVIisa8S8MXZxNNMD06Y77UmPIKWo61VySUW6IFYzdVcGVJee99XMdCJV6vPrtjqvBhuW18IjYLPzS7W90/s320/vlcsnap-9034568.png)
Desire and violence occupy the same space. In Renoir's films, desire only leads to violence and death.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirYgCkNqrymD2ivTqo_nbDzIrbfOCdhVveEnD9k-g6dxrjKXuO5m8xB0M9716-DqA9gTOpQgQ5mAKSR5JNEgr6PEUudnxCK3cFdP8KscjTVQOU-yehbyjQeVUCYVPKxKRCp27F3W4mBfE/s320/vlcsnap-9033303.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEI5jAi-7OputbZYEIi1NEP-60uVXAKf8kQP96wlSxw6W0PXKa7m1cDWTvmZmEnZvvQMWRO9zw5j-uy2brXulMaFCdD047TzgU0tp3VbCO7GsKhnGQuV4ViUFYYEtEpGRaYloXkeEZ_6g/s320/vlcsnap-9034110.png)
Renoir shuts the door on desire and violence - but only to let it burst through more forcefully.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3NYAzr2YFY2JiT4b4bmCxdDVkMjRPLMEYs_43kJNcUon89cwM2yMQB2m8iVh_DuFV_PaAROWqkr_z_BF2VfYISH9_BvcVstoDjreJMh9c6sB7JtOCln_sxM0h7ARnpKH92-lLjLLmwZQ/s320/vlcsnap-9032536.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht2iG9XMNhCmP0oIggjB9LODASqTHK_8R-DDBwphEQ9Zje_wzXTTxabDW1giZaee3xSfK5vFVUyr7YorTomW8cDsQWoBNNa-WV92Fy5Yq565NXvCfWY9m9F0G5OPLdm6vMQaYuNiYVW5k/s320/vlcsnap-9032711.png)
Renoir's fascination with backs - doors in themselves, slightly ajar.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWqIZ-D3qR_vwOCprOG-o_mBW_5-IoKXcqtUmyxAM9YmGNlV6Xzg-z5rM-XdVIisa8S8MXZxNNMD06Y77UmPIKWo61VySUW6IFYzdVcGVJee99XMdCJV6vPrtjqvBhuW18IjYLPzS7W90/s320/vlcsnap-9034568.png)
Desire and violence occupy the same space. In Renoir's films, desire only leads to violence and death.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirYgCkNqrymD2ivTqo_nbDzIrbfOCdhVveEnD9k-g6dxrjKXuO5m8xB0M9716-DqA9gTOpQgQ5mAKSR5JNEgr6PEUudnxCK3cFdP8KscjTVQOU-yehbyjQeVUCYVPKxKRCp27F3W4mBfE/s320/vlcsnap-9033303.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEI5jAi-7OputbZYEIi1NEP-60uVXAKf8kQP96wlSxw6W0PXKa7m1cDWTvmZmEnZvvQMWRO9zw5j-uy2brXulMaFCdD047TzgU0tp3VbCO7GsKhnGQuV4ViUFYYEtEpGRaYloXkeEZ_6g/s320/vlcsnap-9034110.png)
Renoir shuts the door on desire and violence - but only to let it burst through more forcefully.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3NYAzr2YFY2JiT4b4bmCxdDVkMjRPLMEYs_43kJNcUon89cwM2yMQB2m8iVh_DuFV_PaAROWqkr_z_BF2VfYISH9_BvcVstoDjreJMh9c6sB7JtOCln_sxM0h7ARnpKH92-lLjLLmwZQ/s320/vlcsnap-9032536.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht2iG9XMNhCmP0oIggjB9LODASqTHK_8R-DDBwphEQ9Zje_wzXTTxabDW1giZaee3xSfK5vFVUyr7YorTomW8cDsQWoBNNa-WV92Fy5Yq565NXvCfWY9m9F0G5OPLdm6vMQaYuNiYVW5k/s320/vlcsnap-9032711.png)
Renoir's fascination with backs - doors in themselves, slightly ajar.
Sunday, April 4, 2010
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